osloBIENNALEN møtte Berlin Biennalen hos Den norske ambassaden i Berlin
Kuratorene Eva González-Sancho Bodero og Per Gunnar Eeg-Tverbakk, og María Berríos, en av kuratorene for den 11. Berlin Biennalen for samtidskunst, deltok tidligere i november i en felles paneldiskusjon moderert av kunsthistoriker, kurator og professor i kunstteori ved Universitetet i Köln Nina Möntmann ved Den norske ambassaden i Berlin onsdag 13. november klokka 19.00.
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Om deltakerne
(Engelsk)
Nina Möntmann is an art historian, curator and writer. She is currently Professor of Art Theory at the University of Cologne. Before she has been Professor of Art Theory and the History of Ideas at the Royal Institute of Art in Stockholm, and curator at NIFCA, the Nordic Institute for Contemporary Art in Helsinki. Recent exhibitions include: Fluidity (Kunstverein in Hamburg 2016); Harun Farocki: A New Product (Deichtorhallen Hamburg, 2012); If we can't get it together. Artists rethinking the (mal)functions of community (The Power Plant, Toronto, 2008); The Jerusalem Show: Jerusalem Syndrome (co-curated with Jack Persekian), 2009; the Armenian Pavillion for the 52nd Venice Biennial.
María Berríos (born 1978 in Santiago de Chile) is a sociologist, writer, independent curator, and cofounder of the Chilean editorial collective vaticanochico. Her work traverses art, culture, and politics with a special interest in the collective experiments of the Third World movement and their exhibition formats in the 1960s and 70s. She teaches and lectures regularly in Europe and Latin America and has published extensively on art and politics in Latin America and beyond. Among other projects, Berríos curated with Lisette Lagnado Drifts and Derivations. Experiences, journeys and morphologies on experimental architectural collectives from Chile (Museo Nacional Centro de Arte Reina Sofía, Madrid, 2010), and curated Nuestro desconocido, nuestro caos, nuestro mar (Museo Experimental el Eco, Mexico City, 2014), and Alberto Cruz: El cuerpo del arquitecto no es el de un solo hombre (together with Amalia Cross, MAVI – Museo de Artes Visuales, Santiago de Chile, 2017). Berríos has been engaged in several collaborative art projects, including The Revolution Must Be a School of Unfettered Thought (together with artist Jakob Jakobsen for the 31st Bienal de São Paulo, 2014). She is an ongoing collaborator of the Hospital Prison University Archive (Copenhagen, 2016–to date), a project space and radio station run by artist Jakob Jakobsen in the building where he and Berríos live together with their three-year-old son Teo, who believes he is a ninja.
Eva González-Sancho Bodero has been director and curator of several art institutions and initiatives: MUSAC, Leon (ES) [2013]; FRAC Bourgogne, Dijon (FR) [2003–2011]; and Etablissement d'en face projects (Brussels, 1998–2003). She has curated numerous projects and exhibitions, usually involving the production of new work. González-Sancho Bodero was also co-curator of Lofoten International Art Festival (LIAF) 2013 (alongside Anne Szefer Karlsen and Bassam El Baroni), and curator of Dora García: Where characters go when the story is over? (CGAC, Centro Gallego de Arte Contemporáneo, Spain, 2009). Over the course of 2015–2017, González-Sancho Bodero worked as co-curator together with Eeg-Tverbakk, developing and concluding OSLO PILOT, an experimental two-and-a-half-year research project to conceive the format for the first edition of osloBIENNALEN.
Per Gunnar Eeg-Tverbakk co-initiated and was the director of Kunsthall Oslo from 2010–2012. He was project manager for Artistic Interruptions – Art in Nordland, Nordland County from 2003–2005 and was co-curator of the 2004 Nordic Art Biennial Momentum, Moss (alongside Caroline Corbetta). Eeg-Tverbakk was deputy director of the Kunstnernes Hus in Oslo from 2000–2001; co-curator of the 1999 Lofoten International Art Festival (LIAF) (with Tor Inge Kveum); exhibition manager at the Nordic Institute for Contemporary Art in Helsinki in 1999, and director of the Otto Plonk Gallery in Bergen from 1995–1998. Over the course of 2015–2017, Eeg-Tverbakk worked as co-curator together with González-Sancho Bodero, developing and concluding OSLO PILOT, an experimental two-and-a-half-year research project to conceive the format for the first edition of osloBIENNALEN.